Modern typography by Robin Kinross, , Hyphen Press edition, in English - 2nd ed Situating the birth of modern typography around , when it started to be distinct from printing, Robin Kinross introduces in Modern Typography a new understanding of the subject: as something larger and more deeply rooted than a modernism of style, echoing Jürgen Habermas’s proposition that modernity is ‘a continuing project’ Modern Typography. Release: September Volume: pages. Format: × 21 × 3 cm. Price: €. Situating the birth of modern typography around , when it started to be distinct from printing, Robin Kinross introduces in Modern Typography a new understanding of the subject: as something larger and more deeply rooted than a
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B publication September language English size x mm pages p. ISBN themes typography. Hyphen Press is a London-based publisher founded by Robin Kinross in It has produced around thirty books on a diverse range of topics, robin kinross modern typography, but most of its publications are devoted to typography and graphic design. Starting with the early years of the Enlightenment in France and Britain, different cultures and countries successively become the focus for the discussion as they gain significance.
Examining the social, robin kinross modern typography and material contexts in which typographers operate, the argument also considers principles and explanations of practice. This essay is seminal in many ways, providing a lively and critical narrative of historical development, a springboard for further investigation, and reproductions of not-often seen items. It is provocative, dense, opinionated, and thoroughly original.
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, time: 13:40Modern typography ( edition) | Open Library
Modern Typography. Release: September Volume: pages. Format: × 21 × 3 cm. Price: €. Situating the birth of modern typography around , when it started to be distinct from printing, Robin Kinross introduces in Modern Typography a new understanding of the subject: as something larger and more deeply rooted than a Situating the birth of modern typography around , when it started to be distinct from printing, Robin Kinross introduces in Modern Typography a new understanding of the subject: as something larger and more deeply rooted than a modernism of style, echoing Jürgen Habermas’s proposition that modernity is ‘a continuing project’. Starting with the early years of the Enlightenment in Graphic Design Reading
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